Preproduction-Planning and Scriptwriting 25 The animation pipeline in preproduction 26 / Scheduling a production 27 / Animation job roles 29 / Scriptwriting 32 / What is a script? 32 / The vocabulary and language of animation 35 / Animated language 36 / Approaches to scriptwriting 37 / Premise 39 / Story ladders and friezes 40 / Plot 41 / Animation plot themes 42 / Genre in animation 42 / Categories of animated genres 43 / Script development 44 / Prose brief 44 / Step outline 44 / Event analysis 44 / Synopsis 45 / Treatment 45 / Analyzing a script 46 / Conclusion 46 /Ģ. Introduction 5 The significance of animation 7 / Uses of animation 7 / A model for future communication 8 / The defining principles of animation 9 / Twelve principles of animation 11 / The animation pipeline 13 / Preproduction 13 / Production 15 / Postproduction 17 / About this book 17 / An animation timeline 19 /ġ. A catalog record for this book is available from the British Library ISBN: 978 1 78067 097 3 Design: Unlimited Series designer: Jon Allan, TwoSheds Design Picture research: Jemma Robinson Front cover image: Lost and Found, produced by Studio aka based on the book by Oliver Jeffers adapted and directed by Philip Hunt Back cover image: Toon Boom Storyboard Pro Images, courtesy of Toon Boom Animation Inc.- Printed in China No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Published in 2013 by Laurence King Publishing Ltd 361–373 City Road London EC1V 1LR Tel: +44 20 7841 6900 Fax: +44 20 7841 6910 e-mail: Design © 2013 Laurence King Publishing Limited Text © 2013 Andrew Selby Andrew Selby has asserted his right under the Copyright, Designs, and Patent Act 1988, to be identified as the Author of this Work.
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